Mindshift VR - Post Two - Pain Points - June 20, 2016
My first
world. Ok, so it is not. I mean I am not a liar, but it is not my first
VR world. I am from the VRML days. The thing is, I never actually made
any worlds myself the first time. I just gave the concept, directions
and arranged the financing through sponsorships and alliances. I can
actually claim to fame launching the first VRML ad banners with a team.
They were for Pepsi, SGI and The Mars Rover. I have designed some games
and things, and well frankly, I have designed in 3D on CAD
professionally as an architect, but this is my first world in Unity
specifically for VR now.
So, I guess I should back up. For the
bootcamp I got the idea that I should come with a project demo. I met
someone who is truly talented in Unity, Hallie McConologue. I told her I
needed to make a demo for bootcamp and I wanted to make one for mindful
meditation. I told her basically what I have already told you. She
thought that sounded fantastic and wanted to work on this. So we sat
down and had an intense hackathon for a week straight doing 10 to 14
hour days . We both dropped our lives for a week to make the demo. She
is a true veteran in building VR and I lucked out.
We are building the demo for meditation in Unity with a high level of
detail. I will say we have already had a few iterations. Because the world has
already reached a certain level at this point I am going to go back and
discuss some pain points. I am certain I will not be able to outline
them with quite the original pain.
We started out experimenting
with assets from the Unity store. I like the
assets at Speed Tree. We had some gorgeous realistic California Sword
ferns that made the world exquisitely lush but they took up too many
polygons and bogged it down. We have experimented with beautiful grasses
and flowers but in the end they take up too many polygons.
In
the end Hallie modifies things or makes them herself custom. So we have
some hero ferns now as points of interest scattered throughout the
paths. We do have a lot of interesting ground cover and textures, but it
is not dense redwood forest underbrush. We make trade offs. Lots of
trade offs for performance, but maintained the beauty with other
beautiful and interesting additions.
We have tried many trees and
have already been down the road of solving issues and bugs with the
level of detail we wanted to create. First we tried stores from the
Unity store but they "billboarded weirdly". So we fixed the rotational
billboarding bug. But then we really did not like the broad leaf bug.
Not at all. So we tried a variety of trees. The thing is none of the
asset stores have any redwoods, or none we liked. So again, in the end
Hallie made custom trees.
There is a beautiful creek running
through the environment and so I want to tell you about water. We had a
vision board for the look and feel of the project. It included the
artist "Maxfield Parish" for his use of light particularly on water. We
found beautiful Maxfield Parish reflecting water, but it hogged all the
polygons and blew the performance so we settled on some different water.
It is beautiful. It is not as deep, but it moves and reflects and is
peaceful. If I never told you about the beautiful water we nixed, you
would simply like this water.
I wrote a script and recorded a
talented voice over actor with an English accent for the meditation. I
recorded it with Zune Hn4 digital microphone and chopped it up and
exported it into mp4s. Hallie placed it in the world with positional
triggers.
For music I licensed a song with binaural beats. It's
and incredibly healing song specifically designed for relaxation and
meditation. While this is not ambisonic sound, which I am eager to try
both capturing and using, it is specifically designed for headphones.
Binaural beats provide a rich 3D illusion.
We wanted a beautiful
waterfall. I am very keen on photogrammetry and reality capture. We
like the work of Realities.io which is very immersive and has a great
level of interactivity. In the end, we will use more photogrammetry, but
for now we tried buying some photogrammetry assets. Let me warn you,
they look great in the store, but the waterfall we purchased had no
partical system. There was no there there.
We ended up with a
beautiful waterfall with positional sound. We have noticed people really
gravitate to the waterfall, so we are adding a few more. I personally
love to go under the waterfall and look up at the water pouring down.
The sound is great, the water looks real. It feels refreshing.
What
really makes it more immersive is that Hallie added a particle system
that looks like dandelion fluff. It breathes gently and moves on it is
own. It is pretty magical.
We have worked on sky and added clouds
and wind. Today Hallie put in god rays or lens flares that are relative
to the sun and the user.
It is coming along. We have not worked
on this consistently since bootcamp, but when we do work on it, we work
for intense stretches.
In my opinion Virtual Reality is not a
one man/woman show. It takes a team. It takes working together and
exploring ideas and being willing to spend the time to do it right. We
are both extremely passionate about doing our best and we hope to grow
our team.
End of entry.
Future blog entries will focus on
camera comfort mode, navigation and pattern language, gamification,
testing and what we learn that works and what does not, and some on how
VR lends itself for meditation. We will post a build for review this
week. It will be for the DK2 or Rift on this first build. We will export
a Gear VR version later in the month when we can do a full debug.
We call it "mindshift VR" and we aim to create vacations for the mind.
My first
world. Ok, so it is not. I mean I am not a liar, but it is not my first
VR world. I am from the VRML days. The thing is, I never actually made
any worlds myself the first time. I just gave the concept, directions
and arranged the financing through sponsorships and alliances. I can
actually claim to fame launching the first VRML ad banners with a team.
They were for Pepsi, SGI and The Mars Rover. I have designed some games
and things, and well frankly, I have designed in 3D on CAD
professionally as an architect, but this is my first world in Unity
specifically for VR now.
So, I guess I should back up. For the
bootcamp I got the idea that I should come with a project demo. I met
someone who is truly talented in Unity, Hallie McConologue. I told her I
needed to make a demo for bootcamp and I wanted to make one for mindful
meditation. I told her basically what I have already told you. She
thought that sounded fantastic and wanted to work on this. So we sat
down and had an intense hackathon for a week straight doing 10 to 14
hour days . We both dropped our lives for a week to make the demo. She
is a true veteran in building VR and I lucked out.
We are building the demo for meditation in Unity with a high level of
detail. I will say we have already had a few iterations. Because the world has
already reached a certain level at this point I am going to go back and
discuss some pain points. I am certain I will not be able to outline
them with quite the original pain.
We started out experimenting
with assets from the Unity store. I like the
assets at Speed Tree. We had some gorgeous realistic California Sword
ferns that made the world exquisitely lush but they took up too many
polygons and bogged it down. We have experimented with beautiful grasses
and flowers but in the end they take up too many polygons.
In
the end Hallie modifies things or makes them herself custom. So we have
some hero ferns now as points of interest scattered throughout the
paths. We do have a lot of interesting ground cover and textures, but it
is not dense redwood forest underbrush. We make trade offs. Lots of
trade offs for performance, but maintained the beauty with other
beautiful and interesting additions.
We have tried many trees and
have already been down the road of solving issues and bugs with the
level of detail we wanted to create. First we tried stores from the
Unity store but they "billboarded weirdly". So we fixed the rotational
billboarding bug. But then we really did not like the broad leaf bug.
Not at all. So we tried a variety of trees. The thing is none of the
asset stores have any redwoods, or none we liked. So again, in the end
Hallie made custom trees.
There is a beautiful creek running
through the environment and so I want to tell you about water. We had a
vision board for the look and feel of the project. It included the
artist "Maxfield Parish" for his use of light particularly on water. We
found beautiful Maxfield Parish reflecting water, but it hogged all the
polygons and blew the performance so we settled on some different water.
It is beautiful. It is not as deep, but it moves and reflects and is
peaceful. If I never told you about the beautiful water we nixed, you
would simply like this water.
I wrote a script and recorded a
talented voice over actor with an English accent for the meditation. I
recorded it with Zune Hn4 digital microphone and chopped it up and
exported it into mp4s. Hallie placed it in the world with positional
triggers.
For music I licensed a song with binaural beats. It's
and incredibly healing song specifically designed for relaxation and
meditation. While this is not ambisonic sound, which I am eager to try
both capturing and using, it is specifically designed for headphones.
Binaural beats provide a rich 3D illusion.
We wanted a beautiful
waterfall. I am very keen on photogrammetry and reality capture. We
like the work of Realities.io which is very immersive and has a great
level of interactivity. In the end, we will use more photogrammetry, but
for now we tried buying some photogrammetry assets. Let me warn you,
they look great in the store, but the waterfall we purchased had no
partical system. There was no there there.
We ended up with a
beautiful waterfall with positional sound. We have noticed people really
gravitate to the waterfall, so we are adding a few more. I personally
love to go under the waterfall and look up at the water pouring down.
The sound is great, the water looks real. It feels refreshing.
What
really makes it more immersive is that Hallie added a particle system
that looks like dandelion fluff. It breathes gently and moves on it is
own. It is pretty magical.
We have worked on sky and added clouds
and wind. Today Hallie put in god rays or lens flares that are relative
to the sun and the user.
It is coming along. We have not worked
on this consistently since bootcamp, but when we do work on it, we work
for intense stretches.
In my opinion Virtual Reality is not a
one man/woman show. It takes a team. It takes working together and
exploring ideas and being willing to spend the time to do it right. We
are both extremely passionate about doing our best and we hope to grow
our team.
End of entry.
Future blog entries will focus on
camera comfort mode, navigation and pattern language, gamification,
testing and what we learn that works and what does not, and some on how
VR lends itself for meditation. We will post a build for review this
week. It will be for the DK2 or Rift on this first build. We will export
a Gear VR version later in the month when we can do a full debug.
We call it "mindshift VR" and we aim to create vacations for the mind.
